I’m not suing you for copyright – Shatta Wale assures Gabon artistes.
African dancehall king , Shatta Wale has responded to a controversy surrounding the Festival Music Collaboration in Gabon.
The event which aims to promote Gabonese culture and facilitate collaboration between international and local artists.
However, there has been a dispute regarding copyright infringement, as some artistes have allegedly remixed and reproduced Shatta Wale’s songs without obtaining proper authorization. In many cases the songs are directly translated from English to French.

In a statement posted on social media by Shatta Wale, he addressed the situation and in the on going controversy in the online media of Gabon, he stated that he would not sue any Gabonese artist who used his music to create their own unique sound and hit songs. He expressed his support and encouragement for these artistes and thanked them for believing in the “SHATTA MOVEMENT”. He went on to say that he feels more respected and honored in Gabon than in his own country, and he is grateful for the love and support he has received from his fans in Gabon. He admonished them to do more and promised to see them soon.
He posted this on his personal Facebook profile account with his real name , Charles Nii Armah Mensah
Shatta Wale’s response is a refreshing departure from the typical litigious approach that some artists take when their work is used without permission. His statement reflects a spirit of generosity and appreciation for the creativity and ingenuity of other artists. Shatta Wale’s willingness to allow others to use his music without seeking compensation is a testament to his commitment to the promotion of African music and culture.
The controversy surrounding the Festival Music Collaboration highlights the importance of respecting the laws surrounding copyright and intellectual property. However, Shatta Wale’s response demonstrates that there are alternative ways to handle disputes and promote collaboration between artists. His message to Gabonese artists is a clear sign of the positive impact that cross-cultural collaborations can have on the music industry.
In conclusion, Shatta Wale’s response to the controversy surrounding the Festival Music Collaboration in Gabon reflects a spirit of generosity and appreciation for the creativity and ingenuity of other artists, and his willingness to allow others to use his music without seeking compensation is a testament to his commitment to the promotion of African music and culture.


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